critique service · List of children's publishers in UK accepting unsolicited manuscripts · List of literary agents for children's books in UK · rejection letters · slush pile · Submissions · unsolicited manuscripts

2017 – the year YOU get published

Happy New Year readers – I hope you enjoyed your festivities and are raring to go with your new year’s writing resolutions.  And I am here to help!

I will shortly be working through and updating both my list of publishers accepting unsolicited manuscripts and my list of UK children’s agents, making sure that you get the correct information you need to submit.  I’ll be deleting any markets that no longer look at unagented work or, in the case of new markets, haven’t developed as promised – but don’t worry, there’ll be a few new opportunities going in too.

I will also be continuing to offer my new critique service, giving you the chance to get an extra pair of eyes on your manuscript before sending it off into the big wide world.  Alternatively if you have something that keeps being rejected and are wondering why, perhaps I can help?  I have adjusted the prices slightly as the feedback I am giving is a lot longer than originally planned, but I hope you’ll agree it’s still excellent value for money and I have had some lovely comments from my first customers.

Finally as usual I will be looking out for new writing opportunities and reporting back from any useful writing events I attend.  So let’s make 2017 the year you get published!

agents · rejection letters · Submissions

Tips from an agent – talk by Lorella Belli

As promised, here’s the first of my reports from the Winchester Writers’ Conference.  The first talk I attended was by agent Lorella Belli of the Lorella Belli Agency who publish general adult fiction and non-fiction.  Lorella explained what it means when you get a rejection letter from an agent as well as general advice on submitting and netting an agent.  Here are some of the points that I thought were useful:

  • Your covering letter is your business card so be professional.  No ‘dear sir or madam’ – use  a name!
  • Don’t write about all the different books you’ve written and ask them to choose – pick one and get known for that book first.
  • The vast majority of manuscripts they receive are competently written but they are looking for something with the wow factor, something they can rave about to publishers.
  • Big deals are not necessarily good – there is more pressure on the author to sell.
  • Agents don’t help to grow an author’s career anymore – you have to be successful the first time round or you’ve ruined things at an early stage.  A bad track record is worse than no record.
  • Agents do close their lists sometimes to catch up with submissions and concentrate on existing authors.
  • BUSY TIMES TO AVOID – New Year (the New Year’s Resolution effect!), and the Book Fair periods (London, Bologna, Frankfurt).
  • First novels and drafts are never wasted – they feed into your work and may be dug up later if you are successful!
  • If you have similar feedback from different agents, take note and improve.
  • Do as much revision as possible before submitting to the next agent.
  • An agent will only be paid if they can sell your book so don’t want to spend time on rejections – and also they don’t have the time to spare.  Don’t take it personally – they are assessing your manuscript, not you.
  • The more you write, the more you will realise the areas you are really good at, for example a certain genre or style.
  • If you are talented, have saleability, are professional and are planning more than one book then keep going – sooner or later you will succeed!

I love the last point!  It was great to hear Lorella speak; I enjoyed her obvious enthusiasm for her job and she showed that agents are not the fearsome tyrants we sometimes imagine them to be.  On the other hand they are running a business so will be business-like and direct in their transactions with us – as we should be with them.