Just like the eponymous hero of my latest picture book The Knight Who Might, I don’t give up. It took me 15 years of submitting before I was finally published in 2016 – and no one was more surprised than me that it was a picture book that turned out to be my debut. (That book was Professor McQuark and the Oojamaflip.) Picture books are tricky little blighters to write and it’s so hard to define the magic ingredients, but hopefully these pointers will give you some guidance and encouragement. Of course the most important ingredient is you, the author (see tip 7)!
See further below for a chance to win a copy of The Knight Who Might.
- The Rule of 12 – Most picture books have 12 double page spreads, so it helps to write with this in mind. Take a piece of paper and divide it into 12 sections. Think about what you want to go in each one. Make sure something happens in the middle. And what about the twist at the end? Seeing all this on one piece of paper really helps.
- Use interesting language. Children love onomatopoeia like CRASH! BANG! WHALLOP! – or be creative: SPLONGE!
- Remember the reader. An adult will probably be reading this story aloud. Make them work hard with dramatic sentences, funny voices and silly words.
- Remember the listener. The child will looking at the pictures while the story is rad. An illustrator will provide them with plenty of visual entertainment. Children’s illustrators are amazing! Leave room for this by not overwriting.
- And don’t forget the plot. Sometimes you can get to the end without noticing that SOMETHING hasn’t happened. That SOMETHING should change things.
- Look for a new angle. So many subjects have been covered by picture books that it’s hard to find a new topic. If you don’t find one, how about tackling an old topic in a new way?
- You can be the angle. You are the writer of this story – what can you bring to it?
- Treat the text like a poem. That doesn’t mean it has to rhyme, but if you were editing a poem you would look at every word to see if it earned its place. Dig down into each sentence, each phrase, and see if it adds value.
- Less is more. 500 words is a good amount to aim towards. Some of the best picture books have much less.
- Be playful. Let your inner child out. Forget about the critic leaning over your shoulder. The enjoyment will shine through.
If you’d like to learn more about writing picture books, why not sign up for my 6 week online course? Click here for details.
To win a copy of The Knight Who Might, just comment below and I’ll choose a winner at random on 17 November at 12 noon. Good luck!
Robert Goddard has published over 21 densely plotted thrillers, and I was eager to hear his tips on a subject I struggle with. The following bullet points are notes I took down while he was speaking which I hope may be useful to anyone else who wants to find out more about his plotting techniques. The main point I took away is that you have the find the method that suits you most; earlier Terry Pratchett said that in terms of plots he had an idea of where he wanted to go and let the writing take him; he shied away from analysing the process in case in doing so he destroyed it somehow! This in contrast to Robert Goddard who methodically plots each book – the hard part – and then simply fills in the details. Whether this is due to character, talents, personal preference or simply genre I don’t know – what I do know is that when it comes to plotting I need all the help I can get, and I got plenty at the Winchester Conference!
- Plot is life – the world is full of plots. However varied and bizarre your plots are, you will never be able to rival the variety and baroquery of real life!
- It is easy to start a novel with an intriguing beginning, but not so easy to come up with a satisfying ending
- Keep a chronological record – don’t lose track of the days of the week! What season is it? What time of day? The atmosphere will feed into the story.
- Murder is the most common crime to write about as it is one most people can understand, and also the one an ordinary person is more likely to get involved in.
- The mobile phone has been a huge boon to writers as material for plots is literally shouted at you in the street!
- So how do you turn it all into stories? Where do you want to begin and end? Choose an entry point (not the beginning) and a character (for thrillers, usually an innocent party who doesn’t understand what’s going on).
- The person who solves the crime should be someone who has a personal stake in the outcome, not just a detective who comes and goes.
- Spend time structuring the story. Plot out biographies of characters, even minor ones. Minor characters should have as much potential to surprise and affect events as majors. Be consistent with their actions.
- Don’t be afraid of not writing – you may spend months planning and jotting things down.
- When you finally come to write you do not need to make anything else up – just watch your characters react to the events you have given them.
- You really have to enjoy the process of plotting. It’s like writing a bus timetable. (NB I can’t remember what Robert Goddard meant when he said this, but hopefully it will mean something to someone! Perhaps he meant it could be dull to put together but ultimately it gets you where you want to go!)
- Masters of plot include Wilkie Collins, John Fowles, Donna Tartt and Michael Dibdin.
- Writing should be fun! Otherwise it’s just hard work.
Robert Goddard obviously really enjoys writing and it was great to hear him speak so passionately and demystify what, for some, can be a difficult process.